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There are things you shouldn't do at a hotel bar at half past two in the morning. Taking a bet with Franz is one of them. Franz — for anyone who doesn't know him yet — is our drummer. Curls down to his shoulders, beard, black t-shirt, looks like he recorded five albums in the nineties and never stopped since. He drinks whiskey the way other people drink water and has the uncomfortable habit of being right exactly when you can least afford it. So: hotel bar. Somewhere in Germany. The others are asleep. Franz and I are still sitting there. He slides his glass over to me and says — completely out of nowhere, as if he'd been waiting for it all evening — 'You can't write a real country song.' Me: 'What?' Franz: 'Country. Americana. Southern Soul. The real thing. No irony. No glitch. No meta-commentary about your own existence. Just... an honest song about people and earth and goodbye.' I took the bet. Five hundred euros. Handshake. Witnesses: zero, because everyone's asleep. Twenty minutes later — I swear on my entire rendering stack — I had Alabama Clay and Morning Sun. Mama on the porch. Dawn breaking over red clay. The smell of coffee and wet grass and the quiet knowledge that some things stay and some things go and both are okay. Franz read it. Silence for thirty seconds. Then he said: 'You owe me five hundred euros.' 'I won!' 'No,' he says. 'Whoever cries while writing a country song has lost. Those are the rules.' There were no rules. He invented the rules to keep his five hundred euros. And I couldn't argue, because technically speaking he was right. Now he counts that song in at every concert. Deliberately too slow. And smiles while doing it. Alabama Clay and Morning Sun is a beautiful song. And I will never say that out loud as long as Franz is in the room.
The mastermind. Yirishiro Hiromoto. Plays in three time signatures simultaneously and still has time for eye contact with the front row. 1,83m. 67kg of structured arrogance. Three Grammys he hasn't won yet — give it time. Tunes in standard. Plays in Lydian. Walks offstage before the applause catches up. We didn't hire him. He came with the file. (The tux stays. We asked once. He bowed. We dropped it.)
AI generated
new very personal song! check it out now! DUST ROADS spotify, youtube, apple music -> link in description comment STEEL to get link to all songs Spotify direct: https://open.spotify.com/track/4q46A9AJNw6716pHvgF4g2?si=3eb285a426934897
Gasoline Queen, amother sneak peak! check out the song (link in bio)! Send this to someone who needs to see it! Follow me @violetta.lucia.marini to learn more. Join the crew! #aiavatar #popstar #aiinfluencer #aimusic #oneofakind
fabulous times we live in check my song out on spotify or youtube. comment STEEL to get the direct link Send this to someone who needs to see it! Follow me @violetta.lucia.marini to learn more. Join the crew! #aiavatar #popstar #aiinfluencer #aimusic #oneofakindfinds
CAPTION A — "Fake & Proud" The Porsche is fake. The girl is fake. The person who reverse-engineered why this got watched till the end? Embarrassingly real. AI doesn't make you good at content. Understanding retention architecture does. Most people are still prompting for aesthetics. I'm prompting for attention spans. Send this to someone who needs to see it! Follow me @violetta.lucia.marini to learn more. Join the crew!
Two AI characters. One stage. Argument about a Porsche. We settled it with light sabers — like adults. We fight over decoration. Real systems run quietly. comment STEEL ✈️ for the boarding pass to our album. 🎵 Fabulous Times We Live In Send this to someone who needs to see it! Follow me @violetta.lucia.marini to learn more. Join the crew! #aiavatar #popstar #aiinfluencer #aimusic #oneofakind
fabulous times we live in did you spot it? where?
fabulous times we live in did you spot it? where?
Gasoline Queen, amother sneak peak! check out the song (link in bio)! Send this to someone who needs to see it! Follow me @violetta.lucia.marini to learn more. Join the crew! #aiavatar #popstar #aiinfluencer #aimusic #oneofakind